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The Magnificent AI-mbersons
PLUS: Superman's Dog Is Real
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The Magnificent AI-mbersons

Two AI movie pun headlines in a week, you ask??? That’s right! This stuff annoys me and I’m gonna write about it.
On Film Twitter, you may have seen tweets like the below:
An Amazon-backed artificial intelligence company will attempt to reconstruct the lost 43 minutes of Orson Welles' "The Magnificent Ambersons" as a test case of AI's ability to edit, rewrite, and overhaul a movie after it has already been filmed.
wellesnet.com/ai-magnificent…— Wellesnet.com (@Wellesnetcom)
6:06 PM • Sep 5, 2025
If you’re unfamiliar with The Magnificent Ambersons and its production backstory, its Wikipedia article offers a decent summary. The tweet above is referencing news about the AI company Showrunner “reconstructing” Ambersons’s missing footage. Here’s how The Hollywood Reporter article begins:
Amazon-backed Showrunnner announced on Friday a new AI model designed to generate long, complex narratives — ultimately building toward feature film length, live action films — for its platform completely dedicated to AI content that allows users to create their own episodes of TV shows with a prompt of just a couple of words. Over the next two years, it’ll be utilized to re-create Welles’ follow-up to Citizen Kane, a chunk of which was lost after studio executives burned the footage.
Regular readers of course know my perennial question “Any details???” and I am happy to say this article does include them! Have they been reading this newsletter?
Showrunner’s endeavor will deploy a fusion of AI and traditional film techniques to reconstruct the lost footage. This includes shooting some sequences with live actors, with plans to use face and pose transfer techniques with AI tools to preserve the likenesses of the original actors in the movie. Extensively archived set photos from the film will serve as the foundation for re-creating the scenes.
Helping to spearhead the project is Brian Rose, a filmmaker who’s spent the last five years re-creating 30,000 missing frames from the movie. He’s rebuilt the physical sets in 3D models, using them to pinpoint camera movements to match with the script, set photos, and archive materials. By his thinking, he’s reconstructed the framing and timing of each scene, which will serve as the foundation for the re-creation.
Do you see why I ask for details? Because once you get past the hype (“a new AI model designed to generate long, complex narratives”) you learn what is actually happening: filming live actors, doing face transfers, and utilizing 3D models for previsualization. Golly gee, that sort of sounds like good old fashioned production and post. Where does the aforementioned new AI model come in? Spoiler alert: it doesn’t!
I am on my hands and knees here begging everyone in the entertainment press not to allow these AI companies to frame stories about their work with bold, industry-shifting claims about what their products do or wishcast what they might do in the future. You don’t need to convolute this any further than Amazon is pretending to restore The Magnificent Ambersons in order to sell some future version of a product that could possibly maybe do some of what they claim it will, even though it doesn’t do it now!
Superman’s Dog Is Real

I know I’ve covered other aspects of this summer’s Superman before, but I really enjoyed reading this interview at VFX Voice with some of the film’s visual effects team. In particular, how they created Superman’s dog Krypto:
How did you incorporate James Gunn’s own dog, Ozu, into Krypto’s design? Were there specific elements of her behavior or appearance that were reflected on screen?
Loic Mireault: Krypto is based entirely on James Gunn’s dog Ozu. Like many dog lovers, James had tons of clips of his dog on his phone. So when we asked him for video references of Ozu, he sent us close to an hour of Ozu’s footage in many different contexts, which was essential to capture the essence of Ozu’s behavior and personality.
James was clear from day one: he wanted Krypto to be Ozu. Our goal was to ensure James would recognize his own dog in Krypto’s performance. We basically interpreted those Ozu’s references as if they were an hour long Krypto movie, with the goal of mimicking Ozu’s specific facial gestures, behaviors, right down to matching his iconic asymmetric ears!
It’s worth mentioning that Krypto was a fully keyframe animated character. No Motion Capture was involved in the process, and there was no real dog, puppet or animatronic on the original footage to base our animation on. Since we had nothing to match from the plate, Krypto’s performance was developed and designed from scratch by the animation/postvis team in post-production, with obviously, the crucial creative input from James Gunn.
The last bit was the biggest surprise to me, I was fully convinced it was a motion captured dog used as the model!
Check out the full interview at VFX Voice.
Kernels (3 links worth making popcorn for)

Here’s a round-up of cool and interesting links about Hollywood and technology:
The story behind YouTube’s NFL livestream. (link)
Your favorite streaming service is going to keep getting pricier! (link)
How to argue with an AI booster. (link)